Happy new year 2026 countdown Why New Years don't start at the same time

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āĻĒৃāĻĨিāĻŦীāϤে āύāĻŦāĻŦāϰ্āώ āĻ•েāύ āĻāĻ•āϏāĻ™্āĻ—ে āĻļুāϰু āĻšāϝ় āύা āϏāĻŽāϝ় āĻ…āĻž্āϚāϞ āĻ“ āφāύ্āϤāϰ্āϜাāϤিāĻ• āϤাāϰিāĻ–āϰেāĻ–াāϰ āĻ—āϞ্āĻĒ Happy new year 2026 countdown   Why New Years don't start at the same time around the world The story of time zones and the International Date Line Happy new year image āύāĻŦāĻŦāϰ্āώ āĻŽাāύেāχ āύāϤুāύ āφāĻļা, āύāϤুāύ āϏ্āĻŦāĻĒ্āύ āφāϰ āĻĒুāϰোāύো āĻšিāϏাāĻŦ–āύিāĻ•াāĻļ āĻেāĻĄ়ে āĻĢেāϞে āϏাāĻŽāύে āĻāĻ—িāϝ়ে āϝাāĻ“āϝ়াāϰ āĻāĻ• āĻĒ্āϰāϤীāĻ•ী āĻŽুāĻšূāϰ্āϤ। āĻ•িāύ্āϤু āĻ…āύেāĻ•েāχ āϜাāύেāύ āύা āϝে āĻĒৃāĻĨিāĻŦীāϰ āϏāĻŦ āĻŽাāύুāώ āĻāĻ•āϏāĻ™্āĻ—ে āύāĻŦāĻŦāϰ্āώ āωāĻĻāϝাāĻĒāύ āĻ•āϰে āύা। āĻāĻ•āχ āĻĻিāύে āĻšāϞেāĻ“ āĻŦিāĻ­িāύ্āύ āĻĻেāĻļে, āĻŦিāĻ­িāύ্āύ āĻ…āĻž্āϚāϞে āύāĻŦāĻŦāϰ্āώ āĻļুāϰু āĻšāϝ় āĻ­িāύ্āύ āĻ­িāύ্āύ āϏāĻŽāϝ়ে। āĻāϰ āĻŽূāϞ āĻ•াāϰāĻŖ āĻĒৃāĻĨিāĻŦীāϰ āϏāĻŽāϝ় āĻ…āĻž্āϚāϞ āĻŦ্āϝāĻŦāϏ্āĻĨা āĻāĻŦং āφāύ্āϤāϰ্āϜাāϤিāĻ• āϤাāϰিāĻ–āϰেāĻ–া (International Date Line)। āĻāχ āĻĒ্āϰāĻŦāύ্āϧে āφāĻŽāϰা āϏāĻšāϜ āĻ­াāώাāϝ় āĻŦুāĻে āύেāĻŦ, āĻ•েāύ āĻĒৃāĻĨিāĻŦীāϤে āύāĻŦāĻŦāϰ্āώ āϧাāĻĒে āϧাāĻĒে āĻļুāϰু āĻšāϝ়, āĻ•োāĻĨাāϝ় āĻĒ্āϰāĻĨāĻŽ āύāĻŦāĻŦāϰ্āώ āφāϏে, āφāϰ āĻ•োāĻĨাāϝ় āϏāϰ্āĻŦāĻļেāώ āύāĻŦāĻŦāϰ্āώ āωāĻĻāϝাāĻĒিāϤ āĻšāϝ়। āĻĒৃāĻĨিāĻŦীāϰ āϏāĻŽāϝ় āĻ…āĻž্āϚāϞ āĻ•ীāĻ­াāĻŦে āϤৈāϰি āĻšāϝ়েāĻ›ে āĻĒৃāĻĨিāĻŦী āύিāϜেāϰ āĻ…āĻ•্āώে āϘুāϰāϤে āĻĒ্āϰাāϝ় ⧍ā§Ē āϘāĻŖ্āϟা āϏāĻŽāϝ় āύেāϝ়। āĻāχ āϘূāϰ্āĻŖāύেāϰ āĻĢāϞেāχ āĻĻিāύ āĻ“ āϰাāϤ āĻšāϝ়। āϝāĻĻি āĻĒৃāĻĨিāĻŦীāϰ āϏāĻŦ āϜাāϝ়āĻ—াāϝ় āĻāĻ•āχ āϏāĻŽāϝ় āϧāϰা āĻšāϤো, āϤাāĻšāϞে āĻ•োāĻĨাāĻ“ āĻšāϝ়āϤো āĻĻুāĻĒুāϰে āϏূāϰ্āϝ āωāĻ āϤ, āφāĻŦাāϰ āĻ•োāĻĨাāĻ“ āĻ—āĻ­ীāϰ āϰাāϤে āĻŽাāύুāώ āĻ•াāϜ āĻ•āϰāϤ। āĻāχ āϏāĻŽāϏ্āϝা āϏāĻŽাāϧাāύ...

Pride is terrible bangla golpo

 āϝাāϰ āĻ­াāϞোāĻŦাāϏা āĻ—āĻ­ীāϰ āϤাāϰ āĻ…āĻ­িāĻŽাāύ āϭ⧟ংāĻ•āϰ | He whose love is deep his pride is terriblehoop




English convert scroll 👇




āĻŽাāύুāώāĻ•ে āĻ•āĻ–āύāĻ“ āĻāĻ•া āĻ•াঁāĻĻাāϰ āϏāĻŽā§Ÿ āĻĻিāϤে āύেāχ āϜাāύেāύ! āĻāĻ•āĻŦাāϰ āĻ•েāω āĻāĻ•া āĻ•াঁāĻĻāϤে āĻļিāĻ–ে āĻ—েāϞে, āϤাāϰ āφāϰ āĻ•াāϰāĻ“ āĻĒ্āϰ⧟োāϜāύ āĻšā§Ÿ āύা। 

-āφāĻ—ে āϜাāύāϤাāĻŽ āύা, āϤāĻŦে āĻāĻ–āύ āϜাāύি। āĻŽে⧟েāĻĻেāϰ āĻ…āĻ­িāĻŽাāύ āĻ­াāϞোāĻŦাāϏাāϰ āϚে⧟েāĻ“ āϭ⧟ংāĻ•āϰ। 


-āφংāĻļিāĻ• āĻ­ুāϞ āϜাāύেāύ āφāĻĒāύি। 

-āϏāĻ িāĻ•āϟা āϤāĻŦে āϜাāύি⧟ে āĻĻিāύ। 

-āϝাāϰ āĻ­াāϞোāĻŦাāϏা āϝāϤ āĻ—āĻ­ীāϰ, āϤাāϰ āĻ…āĻ­িāĻŽাāύ āϤāϤ āϭ⧟ংāĻ•āϰ। 

-āφāĻĒāύি āĻŦāϞāĻ›েāύ āϝāĻ–āύ, āĻŽেāύে āύিāϞাāĻŽ। 

-āφāĻĒāύাāϰ āĻ­াāϞোāĻŦাāϏāϤে āχāϚ্āĻ›ে āĻ•āϰে āύা āϜ্āϝোāϤিāώ্āĻ•? 

-āĻ•āϰে āϤো! āĻ•িāύ্āϤু āϜীāĻŦāύেāϰ āϏাāĻŽā§ŸিāĻ• āωāĻĻ্āĻĻেāĻļ্āϝ āĻĒূāϰāĻŖেāϰ āϏ্āĻŦাāϰ্āĻĨে āĻāĻŽāύ āĻ•িāĻ›ু āĻŦ্āϝāĻ•্āϤিāĻ—āϤ āĻ•্āώāϤি āĻšā§Ÿে āĻ—েāĻ›ে, āϝা āφāĻŽি āϚাāχāϞেāĻ“ āĻĢেāϰাāϤে āĻĒাāϰāĻŦ āύা। āφāĻĒāύাāϰ āĻ—āϞ্āĻĒ āĻŦāϞুāύ āĻŽ্āϝাāĻĄাāĻŽ। āϝাঁāϰা āĻ­াāϞোāĻŦাāϏāϤে āϜাāύেāύ, āϤাঁāĻĻেāϰ āĻ•াāĻ›ে āĻ­াāϞোāĻŦাāϏাāϰ āĻ—āϞ্āĻĒ āĻļুāύāϤে āĻ­াāϞো āϞাāĻ—ে। 

-āφāĻŽি āφāϰ āĻ•ী āĻŦāϞāĻŦ? āϝāĻ–āύ āĻŽāύ āĻ­ুāϞ āĻĒāĻĨāύিāϰ্āĻĻেāĻļ āĻĻে⧟, āϤāĻ–āύ āϏāĻ িāĻ• āĻĒāĻĨে āĻšাঁāϟাāϰ āϜāύ্āϝ āύিāϜেāϰ āĻŽāύেāϰ āĻŦিāϰুāĻĻ্āϧে āϝেāϤে āĻšā§Ÿ। āφāĻŽিāĻ“ āĻ—েāĻ›ি, āĻāĻ–āύ āĻāĻ•āϰāĻ•āĻŽ āĻ­াāϞোāχ āφāĻ›ি। 



-āϏāϤ্āϝিāχ āĻ­াāϞো āφāĻ›েāύ? āĻ•āϤāϟা āĻ­াāϞো āφāĻ›েāύ? āϜাāύāϤে āχāϚ্āĻ›ে āĻ•āϰে। 



-āĻ িāĻ• āϜাāύি āύা। āĻ•ী āĻĒে⧟েāĻ›ি, āĻ•āϤāϟা āĻšাāϰি⧟েāĻ›ি, āϏেāχ āĻšিāϏেāĻŦ āϰাāĻ–ি āύা। āφāϜāĻ•াāϞ āύিāϜেāϰ āĻ­াāϞো āĻĨাāĻ•াāϰ āϚে⧟েāĻ“, āĻ…āύ্āϝেāϰ āĻ­াāϞো āĻĨাāĻ•াāĻ•ে āϏāĻŽ্āĻŽাāύ āĻ•āϰāϤে āĻļিāĻ–āĻ›ি। āϰাāϏ্āϤাāϘাāϟে āϝāĻ–āύ āĻ•োāύāĻ“ āϝুāĻ—āϞেāϰ āĻ–ুāύāϏুāϟি āĻĻেāĻ–ে āϚোāĻ–ে āϜāϞ āφāϏে.... āϤāĻ–āύ āĻŽেāύে āύিāχ, āĻŦ⧟āϏ āĻšāϚ্āĻ›ে। āĻāĻ•āϟা āύিāϰ্āĻĻিāώ্āϟ āĻŦ⧟āϏেāϰ āĻĒāϰ āφāĻŽāϰা āĻŦুāĻāϤে āĻĒাāϰি āϜীāĻŦāύে āĻ•āϤāϟা āĻšাāϰাāϞাāĻŽ, āϏেāϟা āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āύ⧟। āĻ•āϤāϟা āĻĒেāϞাāĻŽ, āϏেāχ āĻšিāϏেāĻŦে āĻŽāĻ—্āύ āĻĨাāĻ•āϞে āĻ–াāύিāĻ• āϏুāĻ– āφāϰ āϏ্āĻŦāϏ্āϤিāϰ āϏāύ্āϧাāύ āĻŽেāϞে। āĻ āϜীāĻŦāύে āĻāĻ•āĻŽাāϤ্āϰ āύিāϜেāĻ•ে āĻšাāϰি⧟েāĻ›ি। āύিāϜেāĻ•েāχ āĻ āĻ•ি⧟েāĻ›ি। āύিāϜেāϰ āĻ•āĻĨা āĻ­েāĻŦে āϏাāĻŽā§ŸিāĻ• āĻ•āώ্āϟ āĻšāϞেāĻ“ āĻ…āĻĒāϰাāϧāĻŦোāϧ āĻŦা āĻ…āύুāĻļোāϚāύাāϰ āĻŦোāĻা āĻŦāχāϤে āĻšā§Ÿ āύা। āϏেāχ āĻĻিāĻ• āĻĨেāĻ•ে āφāĻŽাāϰ āĻŽāύ āύিāϰ্āĻ­াāϰ। āĻāĻŽāύিāϤেāχ āφāĻŽি āĻ•্āώāĻŽা āĻ•āϰāϤে āĻĒাāϰি āύা। āϤাāϰāĻĒāϰ āύিāϜেāϰ āĻ“āĻĒāϰ āĻļ্āϰāĻĻ্āϧা āĻšাāϰাāϞে, āϜীāĻŦāύ āĻŦāĻĄ্āĻĄ āĻĻুঃāϏāĻš āĻšā§Ÿে āĻ“āĻ ে। āύিāϜেāĻ•ে āĻ•্āώāĻŽা āĻ•āϰা āφāϰāĻ“ āĻ•āĻ িāύ। 



-āĻ–ুāĻŦ āĻ­াāϞোāĻŦেāϏেāĻ›িāϞেāύ āĻŦāϞুāύ? 

-āĻ­াāϞোāĻŦেāϏেāĻ›িāϞাāĻŽ āĻŽাāύে? āφāϜāĻ“ āĻ­াāϞোāĻŦাāϏি। āĻļুāϧু āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰি āύা। āφāĻŽি āĻŦিāĻļ্āĻŦাāϏ āĻšাāϰি⧟েāĻ›িāϞাāĻŽ āĻŦāϞেāχ āφāĻŽাāĻĻেāϰ āĻĒāĻĨ āφāϞাāĻĻা āĻšā§Ÿে āĻ—েāĻ›ে। āĻ“ āĻāĻ•āĻĻিāύ āĻā§œেāϰ āĻŽāϤো āφāĻŽাāϰ āϜীāĻŦāύে āĻāϏেāĻ›িāϞ। āφāĻŽিāĻ“ āĻāϰে āϝাāĻ“ā§Ÿা āĻŦাāϤিāϞ āĻĒাāϤাāϰ āĻŽāϤো āϜāϞāϘূāϰ্āĻŖিāϤে āĻšাāϰি⧟ে āĻ—ি⧟েāĻ›িāϞাāĻŽ। āϤাāϰāĻĒāϰ āϏে āφāĻŽাāĻ•ে āĻŦুāĻি⧟ে āĻĻিāϞ, āĻĒ্āϰেāĻŽ āĻļুāϧু āĻ—āϞ্āĻĒে āĻ­াāϞো āϞাāĻ—ে। āϜীāĻŦāύে āύ⧟। āϤাāχ āφāĻŽি āφāϜāĻ“ āĻ—āϞ্āĻĒ āϞিāĻ–ি। āĻ—āϞ্āĻĒেāϰ āĻŽাāĻে āϤাāĻ•ে āĻ–ুঁāϜে āĻŦে⧜াāχ। 



-āĻ—āϞ্āĻĒেāϰ āĻĒ্āϰāϏāĻ™্āĻ— āĻŦāϞāϤে āϤাāϰ āĻ•āĻĨা āĻŽāύে āĻĒ⧜āϞ। āφāĻŽি āϝāĻĻি āĻŦāϞāϤাāĻŽ āĻŦāϜ্āϰেāϰ āĻ—āϞ্āĻĒ, āϏে āĻŦৃāώ্āϟি āϞিāĻ–āϤ। āφāĻŽি āϝāĻĻি āĻŦিāĻĒ্āϞāĻŦেāϰ āĻ­াāώা⧟ āĻ•āĻĨা āĻŦāϞāϤাāĻŽ, āϏে āφāĻŽাāϰ āĻŽāϧ্āϝে āĻŦিāĻļ্āĻŦাāϏ āĻ–ুঁāϜāϤ। āφāĻŽি āϝāĻĻি āĻ…āϤ্āϝাāϚাāϰ āϞিāĻ–āϤাāĻŽ, āϏে āϰāĻ•্āϤāϰাāĻ™া āώ⧜āϝāύ্āϤ্āϰেāϰ āĻŽāϧ্āϝে āĻĨেāĻ•ে āĻĒ্āϰেāĻŽেāϰ āĻšাāĻšাāĻ•াāϰ āĻ›েঁāĻ•ে āύিāϤ। āφāĻŽি āĻĒ্āϰেāĻŽ āĻŽাāύে āĻŦুāĻāϤাāĻŽ āϤ্āϝাāĻ—, āϤাāϰ āĻ•াāĻ›ে āĻĒ্āϰেāĻŽেāϰ āĻ…āϰ্āĻĨ āϏāĻŽāϰ্āĻĒāĻŖ। āφāĻŽাāϰ āϤāĻ›āύāĻ› āĻšā§Ÿে āϝাāĻ“ā§Ÿা āĻŽāύāϟাāĻ•ে āϏে āϏāϝāϤ্āύে āĻ—ুāĻ›ি⧟ে āφāĻŦাāϰ āĻ­েāĻ™ে āĻĻি⧟ে āĻ—েāϞ। āϏে āύিāϰ্āĻĻ⧟ āĻ›িāϞ, āύাāĻ•ি āφāĻŽি āĻ…āĻŦোāϧ āĻ›িāϞাāĻŽ, āϏেāχ āϏিāĻĻ্āϧাāύ্āϤে āφāϏাāϰ āφāĻ—েāχ āĻĻেāĻ–āϞাāĻŽ āĻŽুāĻ োāϰ āĻŽāϧ্āϝে āĻĨেāĻ•ে āĻŦাāϞিāϰ āĻŽāϤো āϏāĻŽā§Ÿ āĻšাāϰি⧟ে āĻ—েāĻ›ে। āφāĻŽি āϏāĻŽুāĻĻ্āϰেāϰ āĻĒা⧜ে āĻāĻ•া āĻĻাঁ⧜ি⧟ে āϰ⧟েāĻ›ি। 




āĻ•েāω āĻ•োāĻĨাāĻ“ āύেāχ.... āϏে āφāĻŽাāĻ•ে āĻŦুāĻāϤে āĻĒাāϰেāύি, āφāĻŽি āϤাāĻ•ে āĻŦুāĻāϤে āϚাāχāύি। āĻ­েāĻŦেāĻ›িāϞাāĻŽ āϏাāĻŽাāύ্āϝ āĻŽে⧟েāϞি āĻ…āĻ­িāĻŽাāύ, āĻ•্āώāĻŖিāĻ•েāϰ āĻ­ুāϞ āĻŦোāĻাāĻŦুāĻি। āϰাāĻ— āĻĒ⧜āϞেāχ āĻ›ুāϟে āφāϏāĻŦে। āφāĻŽাāĻ•ে āĻ›া⧜া āĻŦেāĻļিāĻĻিāύ āĻĨাāĻ•āϤে āĻĒাāϰāĻŦে āύা। āϤাāϰāĻĒāϰ āĻāĻ•āĻĻিāύ āφāĻŽাāϰ āϧাāϰāĻŖা āĻŽিāĻĨ্āϝে āĻĒ্āϰāĻŽাāĻŖিāϤ āĻšāϞ। āφāĻŽি āφāĻŽাāϰ āĻŽেāĻ•ি āφāϤ্āĻŽāĻŦিāĻļ্āĻŦাāϏ āφঁāĻ•ā§œে āϏāĻŽুāĻĻ্āϰেāϰ āĻĒা⧜ে āĻĢিāϰে āĻ—েāϞাāĻŽ। āφāĻĒāύিāχ āĻ িāĻ• āĻŽ্āϝাāĻĄাāĻŽ। āϝাāϰ āĻ­াāϞোāĻŦাāϏা āϝāϤ āĻ—āĻ­ীāϰ, āϤাāϰ āĻ…āĻ­িāĻŽাāύ āϤāϤ āϭ⧟ংāĻ•āϰ। āφāĻŽি āϤাāĻ•ে āĻāĻ•া āĻ•াঁāĻĻাāϰ āϏāĻŽā§Ÿ āĻĻি⧟েāĻ›িāϞাāĻŽ। āύিāϜেāϰ āĻ•াঁāϧ āĻāĻ—ি⧟ে āĻĻিāχāύি। āφāĻŽাāϰ āĻ•াঁāϧ āϤāĻ–āύ āĻĢাঁāĻĒা āφāϤ্āĻŽāĻŦিāĻļ্āĻŦাāϏ āφāϰ āĻŽিāĻĨ্āϝে āĻŦ্āϝāĻ•্āϤিāϤ্āĻŦেāϰ āĻ­াāϰ āĻŦāĻšāύ āĻ•āϰāϤে āĻŦ্āϝāϏ্āϤ āĻ›িāϞ।



āĻŽāϧ্āϝāĻŦিāϤ্āϤেāϰ āĻĻৈāύāύ্āĻĻিāύ āϜীāĻŦāύেāϰ āϰোāϜāύাāĻŽāϚা āϞিāĻĒিāĻŦāĻĻ্āϧ āĻ•āϰাāϰ āϏāĻŽā§Ÿ āĻ–āϰāϚ āĻšā§Ÿ āĻāĻ•াāϧিāĻ• āĻļāĻŦ্āĻĻ। āĻ•āĻĨাāϰা āĻĒāϰিāĻŖāϤ āĻšā§Ÿ āϏংāϞাāĻĒে, āĻŽুāĻšূāϰ্āϤেāϰা āϰূāĻĒ āύে⧟ āϘāϟāύাāĻ•্āϰāĻŽেāϰ, āĻ•āϞ্āĻĒāύা āĻ•āϰে āĻŦাāϏ্āϤāĻŦāĻ•ে āύিāϏ্āϤāĻŦ্āϧ।

āϜীāĻŦāύেāϰ āύা āĻŦāϞা āĻ•āĻĨা, āĻ•াāĻŽāύাāĻĻেāϰ āĻļāĻŦ্āĻĻেāϰ āϰূāĻĒ āĻĻিāϤে āĻ—ি⧟ে āĻ•েāϟে āϝা⧟ āĻ…āύāύ্āϤ, āĻ…āϞāϏ āĻĒ্āϰāĻšāϰ। āϤāĻŦুāĻ“ āĻļāĻŦ্āĻĻāĻļ্āϰāĻŽিāĻ•েāϰ āĻ•āϞāĻŽ āϞিāĻ–ে āϚāϞে āĻ…āĻ•্āϞাāύ্āϤāĻ­াāĻŦে। āĻĢুāϟি⧟ে āϤোāϞে āϏাāĻĻা āĻĒাāϤা⧟ āĻ­াāϞোāĻŦাāϏাāϰ āφāĻ–āϰ।



āĻ•āĻĨা⧟ āφāĻ›ে āϜীāĻŦāύেāϰ āĻĻāĻ—āĻĻāĻ—ে āĻ•্āώāϤāĻ—ুāϞো āĻļুāĻ•ি⧟ে āĻ—েāϞেāĻ“ āĻ•্āώāϤāϚিāĻš্āύ āĻŦা āφāϘাāϤেāϰ āĻĻাāĻ— āĻĨেāĻ•ে āϝা⧟ āφāϜীāĻŦāύ। āĻ•েāω āϏেāχ āĻĻাāĻ—āϟাāĻ•ে āϜীāĻŦāύেāϰ āĻ…āĻ™্āĻ— āĻ­েāĻŦে āϏāĻŦ āĻ­ুāϞে āĻāĻ—ি⧟ে āϝা⧟ āĻ­āĻŦিāώ্āϝāϤেāϰ āĻĻিāĻ•ে। āφāĻŦাāϰ āĻ•েāω āϏেāχ āĻ•্āώāϤāϚিāĻš্āύ āϞুāĻ•োāϤেāχ āĻ•াāϟি⧟ে āĻĻে⧟ āĻāĻ•āϟা āĻ—োāϟা āϜীāĻŦāύ। āφāĻŦাāϰ āĻ•িāĻ›ু āĻŽাāύুāώ āφāĻ›ে āĻŦাāχāϰে āĻĨেāĻ•ে āϝাāĻĻেāϰ āĻ•্āώāϤ āĻļুāĻ•ি⧟ে āĻ—েāĻ›ে āĻŽāύে āĻšāϞেāĻ“, āĻŦাāϏ্āϤāĻŦে āϤাāϰা āĻ…āĻ­িāĻŽাāύেāϰ āĻŦিāώাāĻ•্āϤ āϏংāĻ•্āϰāĻŽāĻŖে āφāĻ•্āϰাāύ্āϤ। āĻ•েāĻŽāύ āĻšāĻŦে āĻāϰāĻ•āĻŽ āĻāĻ•āϜāύ āĻŽাāύুāώেāϰ āϜীāĻŦāύে āϝāĻĻি āφāĻ—āĻŽāύ āĻšā§Ÿ āĻāĻ• āφāĻ—āύ্āϤুāĻ•েāϰ? āĻĒুāϰোāύো āϏāĻŦ āĻšিāϏেāĻŦ āĻ­ুāϞি⧟ে āφāĻ—āύ্āϤুāĻ• āĻ•ি āϏূāϚāύা āĻ•āϰāĻŦে āĻāĻ• āύāϤুāύ āĻ…āϧ্āϝা⧟েāϰ? āύাāĻ•ি āĻŦāĻšুāĻ•াāϞ āφāĻ—ে āĻļুāĻ•ি⧟ে āϝাāĻ“ā§Ÿা āĻĻāĻ—্āϧāϚিāĻš্āύ āĻĒুāύāϰা⧟ āĻĒāϰিāĻŖāϤ āĻšāĻŦে āĻĻাāĻŦাāύāϞে? 





English version 👉




-You know, you should never give a person time to cry alone! Once someone learns to cry alone, they don't need anyone else. 

-I didn't know before, but now I know. Girls' pride is more dangerous than love. 


-You know the partial mistake. 

-Tell me the truth. 

-The deeper the love, the more dangerous is his pride. 

-When you say that, I accept it. 

-Don't you want to love, astrologer? 

-Of course you do! But in the interest of fulfilling the temporary purpose of life, some personal losses have occurred, which I cannot return even if I want to. Tell your story, madam. I like to hear love stories from those who know how to love. 

-What else can I say? When the mind gives you the wrong direction, then you have to go against your own mind to walk on the right path. I have also gone, now I am somehow fine. 


-Are you really well? How well are you? I want to know. 

-I don't know exactly.  I don't keep count of what I have gained or how much I have lost. These days, I am learning to respect the well-being of others more than my own well-being. When I see a couple's murder on the street, tears come to my eyes.... then I accept that I am getting old. After a certain age, we realize that how much we have lost in life is not important. If we are preoccupied with how much we have gained, we can find some happiness and relief. In this life, I have only lost myself. I have deceived myself. Even if I have temporary pain thinking about myself, I do not have to bear the burden of guilt or regret. From that point of view, my mind is independent. I cannot forgive in the first place. Then, when I lose respect for myself, life becomes very difficult. Forgiving myself is even more difficult. 

-Tell me, did you love me a lot? 

-You mean, did you love me? I still love you. I don't just believe. Our paths have separated because I lost faith. One day, he came into my life like a storm. I was also lost in a whirlpool like a fallen leaf. Then he explained to me that love is only good in stories. Not in life.  That's why I still write stories today. I look for him in the middle of the story. 

-I remembered his words when I told the story. If I had told a story about thunder, he would have written rain. If I had spoken in the language of revolution, he would have sought faith in me. If I had written about oppression, he would have squeezed out the cries of love from the bloody conspiracy. I understood love as sacrifice, to him love meant surrender. He carefully sorted out my shattered mind and broke it again. Before I could decide whether he was ruthless or I was stupid, I saw time disappearing like sand from my hand. I was standing alone on the seashore. No one was there.... He didn't understand me, I didn't want to understand him. I thought it was a little feminine arrogance, a momentary misunderstanding. He would rush in as soon as he got angry. He couldn't stay without me for long. Then one day my idea was proven false. I grabbed my fake confidence and went back to the seashore.  You are right, madam. The deeper the love, the more terrible is his pride. I gave him time to cry alone. I did not offer my shoulder. My shoulders were busy carrying the burden of hollow confidence and false personality.





It takes more than one word to record the daily life of the middle class. Words turn into dialogues, moments turn into events, imagining reality as silent.

Infinite, lazy hours pass while giving the unspoken words of life, the words of desires. Yet the pen of the word worker writes tirelessly. It brings out the essence of love on the white page.



It is said that even if the wounds in the heat of life dry up, the scars or wounds remain for a lifetime. Some people consider those scars to be a part of life and move forward towards the future, forgetting everything. Others spend their entire lives hiding those scars. Again, there are some people whose wounds seem to have dried up from the outside, but in reality they are infected with the poisonous infection of pride.  What would happen if a stranger came into the life of such a person? Will the stranger forget all the old accounts and start a new chapter? Or will the scorch marks that dried up long ago turn into a wildfire again?





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āĻĒৃāĻĨিāĻŦীāϤে āĻāĻ•āϜāύ āύাāϰীāϰ āϜāύ্āϝ āϏāĻŦāϚে⧟ে āϏুāύ্āĻĻāϰ āĻ…āύুāĻ­ূāϤি āĻ•ী āϜাāύেāύ|Do you know what the most beautiful feeling in the world is for a woman?


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