Happy new year 2026 countdown Why New Years don't start at the same time
āĻāĻĒāύিāĻ āĻি āϏেāĻ āĻĄিāĻিāĻাāϞ āĻĒāϤিāϤাāϞā§েāϰ āύāϤুāύ āĻāĻĻ্āĻĻেāϰ | Are you the new customer of that digital brothel
āϰাāϤেāϰ āĻ āύ্āϧāĻাāϰে, āϏāĻŦাāϰ āĻĨেāĻে āϞুāĻিāϝ়ে āϝāĻāύ āĻĢোāύেāϰ āϏ্āĻ্āϰিāύে āĻāĻুāϞ āĻŦোāϞাāύ, āĻāĻĒāύাāϰ āĻŦুāĻে āĻি āĻāĻāĻŦাāϰāĻ āĻাঁāĻĒুāύি āϧāϰে āύা? āĻāĻāĻŦাāϰ āύিāĻেāϰ āĻ āύ্āϤāϰাāϤ্āĻŽাāĻে āĻĒ্āϰāĻļ্āύ āĻāϰুāύ āϤো, āĻāĻĒāύি āĻ িāĻ āĻী āĻুঁāĻāĻেāύ? āĻ্āĻাāύ, āĻŦিāύোāĻĻāύ, āύাāĻি āĻোāύো āĻ āĻেāύা āĻŦৌāĻĻিāϰ āĻেāĻা āϤোāϝ়াāϞেāϰ āĻĢাঁāĻ āĻĻিāϝ়ে āĻঁāĻি āĻĻেāĻāϝ়া āύিāώিāĻĻ্āϧ āĻļāϰীāϰেāϰ āĻāĻ্āĻিāϤ?
āĻāĻĒāύাāϰ āĻāĻĒাāϞে āĻšāϝ়āϤো āĻিāύ্āϤাāϰ āĻাঁāĻ, "āĻি āĻি, āĻāĻŽি āĻāĻŽāύ āύāĻ!" āĻিāύ্āϤু āĻāĻĒāύাāϰ āĻĢোāύেāϰ āϏাāϰ্āĻ āĻšিāϏ্āĻ্āϰি āϝে āĻ āύ্āϝ āĻāĻĨা āĻŦāϞāĻে! āĻāĻĒāύি āϝāĻāύ āϰāĻŦীāύ্āĻĻ্āϰāύাāĻĨেāϰ āĻāĻŦিāϤা āĻĒাāĻļ āĻাāĻিāϝ়ে āĻāĻ āĻŽাāĻāĻŦāϝ়āϏী āĻŽāĻšিāϞাāϰ "āĻŦুāĻেāϰ āĻাঁāĻ" āĻĻেāĻাāύো āĻāĻŦিāϤাāϝ় āĻিāϝ়ে āĻĨাāĻŽেāύ, āϤāĻāύ āĻি āĻāĻāĻŦাāϰāĻ āĻŽāύে āĻšāϝ় āύা, āĻāĻĒāύি āĻāϏāϞে āĻāĻŦিāϤা āύāϝ়, āϤাঁāϰ āĻļāϰীāϰāĻাāĻেāĻ āĻোāĻ āĻāϰāĻেāύ? āĻāĻŦিāϤা āĻāĻāύ āĻাāύে āĻļোāύাāϰ āĻিāύিāϏ āύāϝ়, āĻোāĻে āĻĻেāĻাāϰ āĻŦāϏ্āϤু āĻšāϝ়ে āĻেāĻে; āĻāϰ āĻŦāĻ্āώ-āĻŦিāĻাāĻিāĻাāĻ āϝেāύ āϤাāϰ āĻāϏāϞ āĻāύ্āĻĻ, āĻāϏāϞ āĻ āϞংāĻাāϰ! Golpo
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| Relationship love |
āĻাāĻŦুāύ āϤো āϏেāĻ āĻĻৃāĻļ্āϝāĻাāϰ āĻāĻĨা। āĻāĻ āĻŽāĻšিāϞা āĻĒ্āϰাāϝ় āĻ āϰ্āϧ-āύāĻ্āύ āĻšāϝ়ে āĻ্āϝাāĻŽেāϰাāϰ āϏাāĻŽāύে āĻĒ্āϰāĻļ্āύ āĻāϰāĻেāύ, "āĻĻেāĻুāύ āϤো āĻāĻŽি āĻী āĻĒāϰে āĻāĻি?" āĻāϰ āϞāĻ্āώ āϞāĻ্āώ āĻĒুāϰুāώেāϰ āĻĻāϞ āĻšুāĻŽāĻĄ়ি āĻেāϝ়ে āĻĒāĻĄ়āĻে āϏেāĻ āĻিāĻĄিāĻāϤে। āĻāĻĒāύাāϰ āĻāĻāĻা āϞাāĻāĻ, āĻāĻĒāύাāϰ āĻāĻāĻা āĻিāĻ āĻāĻĻেāϰ āĻাāĻে āĻāĻ-āĻāĻāĻি āĻāϝ়েāύেāϰ āĻŽāϤো। āĻāĻĒāύাāϰ āĻāĻ āϏāϏ্āϤা āĻৌāϤূāĻšāϞ āĻĻিāϝ়েāĻ āϏে āĻšāϝ়āϤো āĻŽাāϏেāϰ āϏংāϏাāϰেāϰ āĻাāĻাāĻা āϤুāϞে āύিāĻ্āĻে। āĻāĻĒāύি āĻাāĻŦāĻেāύ, āĻāĻĒāύি āĻļুāϧু āĻĻāϰ্āĻļāĻ। āĻিāύ্āϤু āĻāϏāϞে āĻāĻĒāύি āϏেāĻ āĻāĻĻ্āĻĻেāϰ, āϝে āύিāĻেāϰ āĻ āĻাāύ্āϤেāĻ āĻāĻ āĻĄিāĻিāĻাāϞ āĻĒāϤিāϤাāϞāϝ়āĻে āĻĻিāύেāϰ āĻĒāϰ āĻĻিāύ āĻāϰāĻ āĻŦāĻĄ় āĻāϰে āϤুāϞāĻে।
"āĻĻেāĻāϰāĻে āĻāĻ āϝা āĻĻিāϞাāĻŽ āύা!"—āĻāĻ āĻāĻāĻা āϞাāĻāύেāϰ āĻোāĻĒেāĻ āĻāĻĒāύি āĻŦোāĻাāϰ āĻŽāϤো āĻ্āϞিāĻ āĻāϰāĻেāύ। āĻী āĻĻেāĻŦে, āĻেāύ āĻĻেāĻŦে, āϏেāĻ āĻāĻĻিāĻŽ āĻৌāϤূāĻšāϞ āĻāĻĒāύাāϰ āĻŽāϏ্āϤিāώ্āĻেāϰ āύিāϝ়āύ্āϤ্āϰāĻŖ āύিāϝ়ে āύিāĻ্āĻে। āĻāĻĒāύাāϰ āĻŽāĻāĻ āĻাāύে, āĻেāϤāϰে āĻিāĻুāĻ āύেāĻ, āĻিāύ্āϤু āĻāĻĒāύাāϰ āĻļāϰীāϰী āĻĒ্āϰāĻŦৃāϤ্āϤি āĻāĻĒāύাāĻে āϏেāĻ āύোংāϰাāĻŽিāϰ āĻĻিāĻে āĻ েāϞে āĻĻিāĻ্āĻে। āĻāĻĒāύি āĻুāϞে āϝাāĻ্āĻেāύ, āϝে āϏāĻŽāϝ়āĻা āĻāĻĒāύি āĻ্āĻাāύেāϰ āĻāύ্āϝ āĻāϰāĻ āĻāϰāϤে āĻĒাāϰāϤেāύ, āϏেāĻ āϏāĻŽāϝ়āĻা āĻāĻĒāύি āĻāĻ āύাāϰীāϰ āϏāϏ্āϤা āύাāĻāĻেāϰ āĻĻāϰ্āĻļāĻ āĻšāϝ়ে āĻাāĻাāĻ্āĻেāύ।
āϏāĻŽাāĻেāϰ āĻŦāĻĄ় āĻŦāĻĄ় āĻāĻĨা āĻŦāϞা āϞোāĻāĻুāϞোāĻ āϰাāϤেāϰ āĻāĻীāϰে āĻāĻ "āύাāĻāĻি-āĻŦিāϞাāϏে" āĻŽāϤ্āϤ। āĻāϰ āĻāĻ āϏুāϝোāĻāĻাāĻ āύিāĻ্āĻে āĻāĻāĻĻāϞ āĻŦিāĻৃāϤ āĻŽāϏ্āϤিāώ্āĻেāϰ āĻāύāĻেāύ্āĻ āĻ্āϰিāϝ়েāĻāϰ। āϤাāϰা āĻাāύে, āĻļিāĻ্āώাāĻŽূāϞāĻ āĻিāĻĄিāĻāϤে āύāϝ়, āĻিāĻ āϞুāĻিāϝ়ে āĻāĻে āĻļাāĻĄ়িāϰ āĻঁāĻāϞেāϰ āĻāĻীāϰāϤাāϝ়। āϤাāϰা āĻাāύে, āĻāĻĒāύাāϰ āĻĒৌāϰুāώāĻে āĻাāĻিāϝ়ে āϤুāϞāϤে āĻŦাāĻĒ, āĻĻেāĻāϰ, āĻŦা āĻļ্āĻŦāĻļুāϰāĻে āύিāϝ়ে āϝৌāύ āĻāϏ্āĻাāύিāĻŽূāϞāĻ āĻāϞ্āĻĒ āĻŦাāύাāϤে āĻšāĻŦে। āĻāϰ āĻāĻĒāύি, āĻļিāĻ্āώিāϤ, āϏāĻ্āϝ āϏāĻŽাāĻেāϰ āĻāĻāĻāύ āĻšāϝ়েāĻ āϏেāĻ āĻĢাঁāĻĻে āĻĒা āĻĻিāĻ্āĻেāύ।
āĻāĻĒāύি āĻি āύিāĻেāĻে āĻĒ্āϰāĻļ্āύ āĻāϰেāĻেāύ, āĻেāύ āĻāĻŽāύ āĻšāĻ্āĻে? āĻাāϰāĻŖ, āĻāĻĒāύিāĻ āϏেāĻ āĻļিāĻাāϰি, āϝে āϏāĻšāĻ āĻļিāĻাāϰ āĻাāϞোāĻŦাāϏে। āĻŦāĻāϝ়েāϰ āĻĒাāϤাāϰ āĻāĻ িāύ āĻ্āĻাāύ āĻāĻĒāύাāϰ āĻাāĻে āĻŦিāϰāĻ্āϤিāĻāϰ, āĻিāύ্āϤু āϤোāϝ়াāϞে āĻĒāϰা āϤāϰুāĻŖীāϰ āĻļāϰীāϰেāϰ āĻŦাঁāĻ āĻāĻĒāύাāϰ āĻোāĻে āĻ āĻŽৃāϤ āϏāĻŽাāύ। āĻāĻĒāύি āϏেāĻ āϏāĻšāĻāϞāĻ্āϝ āĻāϤ্āϤেāĻāύাāϰ āĻĻাāϏ āĻšāϝ়ে āĻেāĻেāύ, āϝা āĻāĻĒāύাāϰ āĻŽāύুāώ্āϝāϤ্āĻŦāĻে āĻāĻāĻু āĻāĻāĻু āĻāϰে āĻেāϝ়ে āĻĢেāϞāĻে। āĻāĻĒāύাāϰ āĻāĻ āϰুāĻিāϰ āĻĻুāϰ্āĻিāĻ্āώāĻ āĻāĻ āϏāĻŽাāĻāĻে āĻāĻ āĻĒāϰ্āϝাāϝ়ে āĻāύে āĻĻাঁāĻĄ় āĻāϰিāϝ়েāĻে।
āĻāĻļ্āĻŦāϰ্āϝ āĻŦা āϰāĻŦীāύ্āĻĻ্āϰāύাāĻĨāĻে āύিāϝ়ে āϤৈāϰি āĻāύ্āĻেāύ্āĻ āĻāĻĒāύাāϰ āĻোāĻে āĻĒāĻĄ়ে āύা, āĻাāϰāĻŖ āϏেāĻাāύে āĻোāύো āĻļāϰীāϰী āĻāĻ্āĻিāϤ āύেāĻ, āĻোāύো āύিāώিāĻĻ্āϧāϤাāϰ āĻāύ্āϧ āύেāĻ। āĻāĻĒāύি āϏেāĻ āĻāύ্āϧāĻাāĻ āĻুঁāĻāĻেāύ। āĻāϰ āĻāĻĒāύাāϰ āĻāĻ āĻোঁāĻেāϰ āĻাāϰāĻŖেāĻ āĻāĻ āĻāĻŽাāĻĻেāϰ āϏংāϏ্āĻৃāϤি, āĻāĻŽাāĻĻেāϰ āĻļিāĻ্āώা, āĻāĻŽাāĻĻেāϰ āϰুāĻিāĻŦোāϧ āĻāĻ āĻāϝ়ংāĻāϰ āĻাāĻĻেāϰ āĻিāύাāϰাāϝ় āĻĻাঁāĻĄ়িāϝ়ে।
āύিāĻেāĻে āĻāĻ āύোংāϰাāĻŽি āĻĨেāĻে āĻŦেāϰ āĻāϰে āĻāύāĻŦেāύ āĻীāĻাāĻŦে?
āϝāĻāύāĻ āĻোāύো āĻāϤ্āϤেāĻāĻ āĻĨাāĻŽ্āĻŦāύেāĻāϞ āĻŦা āĻ্āϝাāĻĒāĻļāύ āĻĻেāĻāĻŦেāύ, āύিāĻেāĻে āĻĒ্āϰāĻļ্āύ āĻāϰুāύ, "āĻāĻা āĻĻেāĻে āĻāĻŽাāϰ āĻী āϞাāĻ āĻšāĻŦে? āĻāĻŽি āĻি āĻāĻŽাāϰ āĻŽূāϞ্āϝāĻŦাāύ āϏāĻŽāϝ় āĻāĻ āĻāĻŦāϰ্āĻāύাāϰ āĻĒেāĻāύে āύāώ্āĻ āĻāϰāĻŦ?" āĻāĻĒāύাāϰ āĻāϤ্āĻŽāϏāĻŽ্āĻŽাāύāĻŦোāϧāĻে āĻাāĻিāϝ়ে āϤুāϞুāύ।
āϝāĻāύ āĻোāύো āĻļিāĻ্āώাāĻŽূāϞāĻ āĻŦা āĻাāϞো āϰুāĻিāϰ āĻিāĻĄিāĻ āĻĻেāĻāĻŦেāύ, āϤāĻāύ āϏেāĻাāϤে āϞাāĻāĻ āĻĻিāύ, āĻļেāϝ়াāϰ āĻāϰুāύ। āĻāĻĒāύাāϰ āϏāĻŽāϰ্āĻĨāύāĻ āĻাāϞো āĻāύāĻেāύ্āĻ āĻ্āϰিāϝ়েāĻāϰāĻĻেāϰ āĻā§āϏাāĻšিāϤ āĻāϰāĻŦে। āĻŽāύে āϰাāĻāĻŦেāύ, āĻĻāϰ্āĻļāĻ āϝা āĻাāϝ়, āĻŦাāĻাāϰ āϏেāĻাāĻ āϏāϰāĻŦāϰাāĻš āĻāϰে। āĻāĻĒāύাāϰ āĻাāĻšিāĻĻা āĻŦāĻĻāϞাāύ, āĻŦাāĻাāϰ āĻŦāĻĻāϞাāϤে āĻŦাāϧ্āϝ āĻšāĻŦে।
āĻāĻ āĻāĻĒāύি āϝা āĻĻেāĻāĻেāύ, āĻাāϞ āĻāĻĒāύাāϰ āϏāύ্āϤাāύ āϏেāĻাāĻ āĻļিāĻāĻŦে। āĻāĻĒāύি āĻি āĻাāύ, āĻāĻĒāύাāϰ āϏāύ্āϤাāύ āĻĒāĻĄ়াāĻļোāύা āĻেāĻĄ়ে "āĻীāĻাāĻŦে āĻļāϰীāϰ āĻĻেāĻিāϝ়ে āĻাāĻা āĻাāĻŽাāύো āϝাāϝ়" āϏেāĻা āĻļিāĻুāĻ? āĻāĻĒāύি āĻি āĻাāύ, āϏে āϏāĻŽ্āĻŽাāύ āĻāϰ āĻাāϞোāĻŦাāϏাāϰ āĻŦāĻĻāϞে āϏāϏ্āϤা āϝৌāύāϤাāĻে āĻীāĻŦāύেāϰ āĻŽূāϞāĻŽāύ্āϤ্āϰ āĻŦাāύাāĻ? āϝāĻĻি āĻāϤ্āϤāϰ 'āύা' āĻšāϝ়, āϤাāĻšāϞে āĻāĻāĻ āύিāĻেāĻে āĻŦāĻĻāϞাāύ। āĻাāϰāĻŖ, āĻāĻĒāύাāϰ āϰুāĻিāĻ āĻāĻĒāύাāϰ āϏāύ্āϤাāύেāϰ āĻāĻŦিāώ্āϝ⧠āϤৈāϰি āĻāϰāĻŦে।
āĻĢেāϏāĻŦুāĻেāϰ āĻāĻ āϏāϏ্āϤা āĻŦিāύোāĻĻāύেāϰ āĻŦাāĻāϰেāĻ āĻāĻāĻা āϏুāύ্āĻĻāϰ āĻāĻāϤ āĻāĻে। āĻŦāĻ āĻĒāĻĄ়ুāύ, āĻĒ্āϰিāϝ়āĻāύেāϰ āϏাāĻĨে āϏāĻŽāϝ় āĻাāĻাāύ, āύিāĻেāϰ āĻļāĻāĻে āĻুāϰুāϤ্āĻŦ āĻĻিāύ। āĻĻেāĻāĻŦেāύ, āĻāĻĒāύাāϰ āĻেāϤāϰেāϰ āĻļূāύ্āϝāϤাāĻা āĻāϰে āĻāĻ āĻে āĻāĻŦং āĻāĻ āϏāĻŦ āύোংāϰাāĻŽি āĻāĻĒāύাāϰ āĻাāĻে āĻ āϰ্āĻĨāĻšীāύ āĻŽāύে āĻšāĻŦে।
āĻļেāώ āĻĒ্āϰāĻļ্āύāĻা āĻāĻĒāύাāϰ āĻাāĻেāĻ। āĻāĻĒāύি āĻি āĻāĻ āĻĄিāĻিāĻাāϞ āύāϰ্āĻĻāĻŽাāϰ āĻāĻāĻāύ āĻীāĻ āĻšāϝ়েāĻ āĻীāĻŦāύ āĻাāĻিāϝ়ে āĻĻেāĻŦেāύ, āύাāĻি āύিāĻেāϰ āϰুāĻিāϰ āĻĻাāϝ়āĻাāϰ āĻাঁāϧে āϤুāϞে āύিāϝ়ে āĻāĻāĻāύ āϏুāϏ্āĻĨ āĻŽāϏ্āϤিāώ্āĻেāϰ āĻŽাāύুāώ āĻšিāϏেāĻŦে āĻŦাঁāĻāĻŦেāύ?
āĻāĻŽাāϰ āĻāĻ āϞেāĻাāĻা āĻĒāĻĄ়ে āĻšāϝ়āϤো āĻāĻĒāύাāϰ āĻ āϏ্āĻŦāϏ্āϤি āĻšāĻ্āĻে, āϰাāĻ āĻšāĻ্āĻে। āĻšāĻāϝ়াāĻ āϏ্āĻŦাāĻাāĻŦিāĻ। Article page āĻাāϰāĻŖ, āĻāϝ়āύাāϰ āϏাāĻŽāύে āĻĻাঁāĻĄ়িāϝ়ে āύিāĻেāϰ āĻāĻĻāϰ্āϝ āϰূāĻĒāĻা āĻĻেāĻাāϰ āϏাāĻšāϏ āϏāĻāϞেāϰ āĻĨাāĻে āύা। āϏিāĻĻ্āϧাāύ্āϤ āĻāĻĒāύাāϰ। āĻāĻĒāύি āĻি āĻĻāϰ্āĻļāĻ āĻĨাāĻāĻŦেāύ, āύাāĻি āĻĒāϰিāĻŦāϰ্āϤāύেāϰ āĻাāϰিāĻāϰ āĻšāĻŦেāύ?
English version :
Are you the new customer of that digital brothel?
In the dark of night, when you tap your phone screen, hiding from everyone, doesn't your chest tremble once? Ask your inner self, what exactly are you looking for? Knowledge, entertainment, or a hint of a forbidden body peeking through the gap of an unknown woman's wet towel?
You may have a frown on your forehead, "Oh, I'm not like that!" But your phone's search history says something else! When you pass by Rabindranath's poems and stop at a poem showing a middle-aged woman's "chest groove", don't you ever think that you are actually enjoying not the poem, but her body? Poetry has now become an object of sight, not of hearing; and the cleavage is its real rhythm, its real ornament!
Just think of that scene. A woman, almost half-naked, asks in front of the camera, "Look what I'm wearing?" And millions of men are drooling over that video. Your one like, your one view is like a coin to them. With this cheap curiosity of yours, he might be taking away the monthly salary. You think you are just a viewer. But in fact, you are the customer who is unknowingly making a digital brothel bigger day after day.
"What did I not give to Deor today!"—You are clicking like a fool on the bait of this one line. What to give, why to give, that primitive curiosity is taking control of your brain. Your brain knows that there is nothing inside, but your physical instinct is pushing you towards that filth. You are forgetting that the time that you could have spent on knowledge, that time you are spending as a spectator of a woman's cheap drama.
Even the people who talk big in society are intoxicated with this "night-life" in the depths of the night. And a group of content creators with distorted minds are taking this opportunity. They know that the views are hidden deep in the folds of the saree, not in educational videos. They know that to awaken your masculinity, you have to make sexually provocative stories about your father, brother-in-law, or father-in-law. And you, being an educated, civilized person, are falling into that trap.
Have you asked yourself why this is happening? Because, you are also a hunter who loves easy prey. The hard knowledge of the pages of a book is boring to you, but the curves of a young woman in a towel are like nectar in your eyes. You have become a slave to that easily available excitement, which is eating away your humanity little by little. It is this famine of your taste that has brought society to this stage today.
You do not notice the content made about Aishwarya or Rabindranath Tagore, because there is no physical hint there, no smell of prohibition. You are looking for that smell. And because of your search, today our culture, our education, our taste buds are on the brink of a terrible abyss.
How do you get yourself out of this filth?
Whenever you see a provocative thumbnail or caption, ask yourself, "What will I gain from watching this? Will I waste my precious time on this garbage?" Awaken your self-esteem.
When you see an educational or tasteful video, like it, share it. Your support will encourage good content creators. Remember, the market provides what the audience wants. Change your needs, and the market will be forced to change.
What you watch today, your child will learn tomorrow. Do you want your child to quit his studies and learn "how to make money by showing off his body"? Do you want him to make cheap sex the motto of life instead of respect and love? If the answer is 'no', then change yourself today. Because, your taste will shape your child's future.
There is a beautiful world beyond this cheap entertainment of Facebook. Read books, spend time with loved ones, give importance to your hobbies. You will see, the emptiness inside you is filling up and all this filth will seem meaningless to you.
The last question is for you. Will you spend your life as a worm in this digital sewer, or will you live as a healthy brained person by taking responsibility for your taste?
Reading this article of mine, you may feel uncomfortable, angry. It is natural to feel that. Because, not everyone has the courage to stand in front of the mirror and look at their ugly appearance. The decision is yours. Will you remain a spectator, or will you become an agent of change?
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